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So Ed, our resident master DP has been working on  editing the first six minutes of the DVD.   We are using Nikon  P520DSLR cameras to record the footage in HD for the Documentary.   I love the camera overall , however it does “on the fly”  MPG compression of the footage, something I am not really happy with.  I prefer to work with uncompressed footage until the final burn.

However, we just did a test burn of a DVD of the first six minutes and previewed it on the 70 inch HD Panasonic screen we  have and the the footage worked excellently.  My fears of bad HD footage  with lots of image compression are put to rest.         Onward!

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We have a fair amount of equipment around here and I have been playing with this setup for the last few days and am loving.

We  have a bunch of old XP Toshiba tablets PC’s.   I LOVE these computers.  They are a full laptop, that with a swivel of the screen , becomes a pen input tablet.   I do lots of photoshoping on it since it has direct pressure sensitive pen input, its like directly drawing on paper.    Since they are a full laptop, they will run any windows software easy enough.   Unfortunately, these units are getting harder and harder to find.  They were semi big about ten years ago.     Since then, nothing else has come close to offering the  same functionality.  They were also not the most powerful of computers even back then, usually having a celeron P4 processor.

This unit is setup with Adobe Premier 6.5 (an older version, but hey it works)   and I can hook up the Sony Vx-2000 camera directly via firewire and record digital footage directly onto the laptops hard drive bypassing the tape all together..   Since it’s running premier as the video editor, i can also edit directly int he field and see exactly what we just recorded.

I can also do audio checks using any number of audio programs and again, can record audio directly into the  digital production workflow with this setup.

However, the word is out today that Microsoft is releasing the surface Pro 3.  That has pen input and can run just about any win programs.   We’re upgrading all the cameras to DSLRs  currently and getting away from dedicated video camreas and I’m thinking of getting a surface Pro to replace the aging Toshibas since the functionality will be about the same, with a vast increase of processing power, but damb, I hate that win 8 interface!

Here’s a  Picture of the setup!

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We’re knee deep in production for the Priest lake Documentary this last week.   Throughout the pre-production we’ve kicked various ideas around about the format of the program and the idea shook out (like these things have a tendency to do) that a mix of traditional history documentary, coupled with a mix of natural information about the local flora and fauna, would be a good way for the overall story telling of the priest lake area.

Both Ed and I are inspired by nature docs like the BBC’s Big Planet, or really anything the BBC puts out frankly, and want to showcase some of the natural beauty that the Priest lake area has to offer.   We decided to shoot full 1080 HD for the nature scenes, to really capture the detail of it all, and have been traveling about the area getting good “B roll shots of interesting nature shots.

Yesterday we went up past Nordman about seven miles and got some great video shots of Granite Creek raging with spring run off with the telescoping camera jib positioned out over the crick.

Ed put together a real simple camera jib made from an aluminum ladder and the damb thing works perfectly for getting interesting and smooth tracked camera shots.

The unit it’s self is made up of just one side of a telescoping aluminum ladder, hooked into a smooth pan head tripod via a standard camera lug mount.

It’s counter balanced with a 10 lb weight perfectly for the two different camera mounts we use (a static pan head mount and a free floating stedi-cam mount) and the Nikon DSLR camera we’re using.

Once the unit is all setup it take just two fingers to guide the camera through the arc of the shot.   All total I think we’re into it for about 100 bucks for parts and we have gotten lots of use out of it.     We’re looking to upgrade the unit a bit more by adding some simple powered gyroscopes to the stedicam mount so we can get perfectly angled and auto leveled motion shots.   We should have the parts to build the gyro stabilizers in a week or two and that will make this piece of kit work almost perfect!

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First Working Poster I’m not real happy with this one. it didn’t turn out well but it’s a start)

So we’re knee deep in production on the definitive Priest Lake documentary. This project started a month or two back after Ed (our resident DP and general photog genius) did a interesting documentary on his life. He worked in ProShow ( a video editng program for the PC) and created a very interesting and compelling documentary based on old photos.

This got us thinking about doing one for the Priest Lake area. Originally the idea was we were just going to do one based on old photos and oral histories (AKA Ken Burns style) but as per-production went on the idea developed into more of a mix of the BBC natural planet series and a timeline of history of the area. A format that both Ed and I felt would work really well and one we haven’t seen before in any of the half dozen docs that have already been produced. (many of which seem to be nothing more then big travelogue commercials for the area and are very thin on history in general)

So we put together a prelim script and started working the content issues and shot plans. So far we’ve managed to go out and record some very compelling footage of the nature of the area and thanks to the great folks over at the Priest lake museum (big shout out to Tom Weitz, president and senior researcher for the PL museum) we got access to the entire historical picture archive, that we will use to thread the historical narrative with.

We have just started going around and getting the “talking head” shots from local old timers and historians and we will continue to film nature and historical scenic areas throughout the summer.

So far everything is going along swimmingly. So much so that I think we will be doing a second documentary entitled: Strange Facts and Interesting Stories of the Priest lake. We’ve come across some pretty infesting lore and some old stories on PL that wouldn’t necessarily fit into a standard doc that I think will make a great appendium to the main doc.

Right now I am doing major research into various topics while Ed works on prepping the photos. Many of the old photos are of low resolution so we have to do some major work on photoshop to get the images prepared and looking good for HD 1080P resolution.

Anyway. Its fun to have some video going through the production line after a long winter of digital programming and App building. More to come!

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We’ll it’s been a while since I have updated the production blogs. So much has gone on. But we’ve been working on so many projects that the blogs and this website has fallen into a woeful state. Something that I’m going to correct.

So what has been going on? We’ll we have the new studio up and running. A full production studio with top o the line editing bays, a green screen room for digital compositing and a big 12000 foot workshop/ space for setting up sets and a digital theater system for watching dailies and such.

On top of all that we have a summer full of projects slates including; doing 16 episodes of a cooking show, a feature a couple VR apps and some more animation shots.

So more to come on each and all!

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The huesgfx Tech and Digital Blog is now formatted with a mobile theme for visitors on Apple iPhone / iPod touch, Google Android, Blackberry Storm and Torch, Palm Pre It works by automatically detecting supported devices like iPhones, iPads, Android & Blackberry  and serving its optimized theme instead of our regular desktop theme.  Visitors can always switch back to your desktop theme if they choose.

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Huesgfx, a indie film production studio, is seeking an editing/post production intern for a indie feature Sci-fi/horror feature.. Intern will work closely with  lead editor and producer on all aspects of post-production. Duties will be widespread and will include contributing to story development, media management, footage logging, music editing, graphics editing and assisting the production as needed. Intern will have the opportunity to edit the “Behind the Scenes” footage reel and will participate in logging and preparing program deliverables for the final release.

Applicants must want to learn editing on Premier and the creation of 3D CGI and have a great understanding of story, and be willing to take both technical and creative challenges head-on. Intern will get a sense of how a boutique production company is run as well as what the responsibilities entail for preparing a feature film for delivery

This is an unpaid internship but students will receive college credit for their work, there is a small stipend, as well as all the food and drink you can consume and VIP access to all the fun film parties. (there are a few brewing up)  Studio is in Ballard with a remote studios in Idaho and California.  (travel to bothis not required, but we will be traveling a bit and remote editing)

Editing sessions are flexible, but will usually run long (8+ hours a day)   Great attitude is more desirable then experience. We tend to be a bit gonzo and wacky and try and have a good time with all this indie film making ;-)  This is a PC shop, running premier and After effects.

The position begins soon and will go through mid-July. Please send your info, a brief description of who you are and what you are looking for, for more detailed information.

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Festival/ Comic-Con appearance updates for the new Catatonic Rabbit Animated Movie: “Whispers In The Tears”

For those that can join us for all things Catatonic. We’re about halfway through the Festival/comic-con circuit this spring but have a slew of more appearances and sneak previews of the new Catatonic Rabbit movie:

Whispers in the Tears On the 14th I have a small spiel at emeraldcitycomicon http://www.emeraldcitycomicon.com/

Then, at the end of the month I have a big spiel at the Tokyo Anima festival: http://www.tokyoanime.jp/en/

Then in April it’s back for my hometown favorite: Sacura-con: http://www.sakuracon.org/ and the super North America DVD release party of Whispers In The Tears the new CR movie!!!!!!!!

Then, as of this morning, there is talk of a quick spot at Northwescon http://www.norwescon.org/ and then possibly a special preview of the new movie at: STIFF http://www.trueindependent.org/ in June.

Then, I think we’re done on the 2010 media run and we can get back to work making cartoons!

There is some small talk of crashing Canne. But that is all talk at the moment…

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Operation Highjump was an United States Navy campaign conducted in Antarctica from 1946-47, it was the single greatest effort in the southern most continent to the present day. The mission was, and continues to be to this day, the largest Antarctic voyage ever undertaken. It was conducted by the Arctic discoverer Rear Admiral Richard Byrd, and concerned 13 vessels, 23 aircraft and along with a military force of 4,700 men. The mission was of a classified nature and was principally a military exercise with military personnel.

Rumors started to spread that even though Germany had been overthrown, an assortment of military personnel and scientists had escaped the native land as Allied troops passed across mainland Europe and instituted themselves at a base on Antarctica from where they continued to build progressive aircraft founded upon alleged extraterrestrial or alien technologies. This base was apparently positioned in Neuschwabenland, a region of Antarctica which Germany investigated, and claimed, ahead of the outbreak of WWII.

As inconceivable as it may appear, there is substantial supporting evidence for these claims about a German base in Antarctica. On the very eve of WWII, the Germans themselves had entered part of Antarctica and claimed it for the 3rd Reich. Historical events also provide us with further suggestions as to a German-Antarctica association, for it documents that Hans-Ulrich Rudel of the German Luftwaffe was being prepared by Hitler to be his heir apparent. It is recognized that Rudel made numerous trips to Tierra del Fuego at the edge of South America closest to Antarctica.

Germany had completed a extremely exhaustive study of Antarctic and were believed to have built a large secret base there prior to the War. The truth is that there was an abundance of evidence, at the time, to point to that as late as 1947, portions of the Kriegsmarine, or German Navy, were very much functioning in the South Atlantic, operating either out of South America, or some base previously unrecorded in the Antarctic. One piece of evidence identified was of a German U-boat halting an Icelandic whaler titled ‘Juliana’ in Antarctic waters, and demanding that its captain, known as Hekla, trade the U-boat crew provisions from her available stores.

Some historians believe that the Germans were, in fact, developing UFO technology in underground ice caverns of which there is information to suggest that this may not actually be too much a leap of faith. One of a quantity of documented accounts of sightings of unidentified flying objects over Antarctica was by Rubens Junqueira Villela, a meteorologist whom was the principal Brazilian scientist to take part in an voyage to the South Polar area, and at the present time, a veteran of 11 expeditions to Antarctica. Whilst on board the US Navy iceboat Glacier, which had set sail commencing from New Zealand towards the end of January 1961, Villella states that he observed a UFO occurrence in the skies over Antarctica which he instantly noted in his journal, even details including the sentiments felt by all those involved.

It is no secret that the German Nazi movement held technology progressive enough to create a craft resembling a UFO in shape and size, there are many recorded accounts of sightings and pictures of these German UFO’s. Even though, to say they held the agility and speed of a true UFO would be deceptive given, they could not remain airborne for any prolonged period and were known for their unpredictability in terms of navigation and general handling.

Operation Highjump was a secret US military campaign to defeat and destroy supposed secret Nazi facilities in Antarctica and seize the German Vril flying discs, and the Thule mercury propelled spacecraft. An obscure Hitlerist narrative tells that Adolf Hitler did not commit suicide in 1945, but however, escaped to Argentina, and then onto an SS base beneath the ice in New Swabia during the early fifties where he restarted his career as a painter. According to this description, Operation Highjump, the greatest journey undertaken to the Antarctic, is claimed to have been dispatched to obliterate the Nazi occupancy there.

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